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le WANTED live band

Création 2021
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Crédit photo : Romain Péli

Dans la lumière grise d’une aube infinie, trois silhouettes émergent de la brume. Mains griffues et dos voûté, des oiseaux de malheur au regard de croquemort prennent place derrière leurs instruments. Alors que la mort rôde, tranquille et menaçante, ils entonnent un chant à capella, aux sonorités d’antan…

L’harmonica retentit, strident et mélancolique, et nous plonge dans le regard bleu et froid du shérif Gordon, tandis que la fumée de son cigare se mêle au galop implacable du tambour. L'arrivée soudaine d'un bandit psychopathe laisse présager un horizon funeste pour les habitants de City Town... à commencer par une journée sanglante.

 

Avec trois musiciens de saloon à leurs côtés, le bruiteur et la comédienne de la Bruital Compagnie offrent à leur fameux duo un écrin de velours. Un répertoire fait de reprises de musiques des années 20 et de compositions originales constitue la bande-son de ce western déjanté. L’espace vide se pare des couleurs du ragtime et les personnages du Far West absorbent les teintes caractéristiques du banjo ou de la mandoline, transformant l’original WANTED en WANTED LIVE BAND, un conte musical de haut vol, sombre et émouvant, mais qui laisse la part belle à un humour absurde irrésistible. De la synchronisation méthodique entre le geste, le bruitage et la musique naît une magie qui appelle le genre cinématographique, entre Sergio Leone et Quentin Tarantino.

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After a childhood shared between Paris and Guadeloupe, Gaëlle Amour tackles classical guitar, dramatic art and high school at the Soissons conservatory. She first followed a university course at Paris III-Sorbonne Nouvelle, from which she emerged, the only survivor, with a Masters in theater and cinema. In parallel with these studies, she became a drummer in a post-punk rock group and continued the theater, all in dark and dark rooms. It was her passage at the Paris 9th arrondissement conservatory which then redirected her violently towards music, and more particularly jazz: Sara Lazarus and Diane Dupuis would help her find her voice and open her eyes when she sang. So much the better, because it allowed her to see the thousands of children who attended the musical tales that she interpreted for several years within the Touk Touk Company: guitar, ukulele, bass, pan ... everything is there past, but it was above all the bass that enabled him to join in 2017 the company Difé Kako, for a dance and musical creation, performed in France, Tunisia, Guyana, Martinique and ... in Guadeloupe. The circle would have been closed, if Bruital had not intervened in extremis.

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Born in Marseille and of Franco-Moroccan origin, Nésar Ouaryachi was cradled from an early age by the sound of cicadas. Self-taught, he quickly became passionate about black American music and songs from the Mississippi.

So he learns the guitar, the harmonica and goes to sing the Blues on the road.

A graduate of the CFMI in Rennes where he discovered double bass, percussion and Latin music, he integrated various training:

Mr Grunwalsky (Jazz, Swing)

The narrow pouch (Collective Hip Hop)

King Pepe and his Calypso Combo

(Calypso Cuba) It was in 2015 that he met the fabulous team of itinerant musicians, “Les Poissons Voyageurs” (Swing & Balkan) and went on tour with them from France to Ukraine. Several tours in France and Europe will then follow.

He also swaps his summer shoes for hiking boots and gives concerts in the high mountains of the Pyrenees, Alps, Negev Desert, Mont Blanc, Dolomites, Reunion Island with the collective "La Tournée des

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Quentin alias Bardi was born in Toulouse 28 years ago and started playing the banjo in 2012 during a trip to the United States. He specialized in music from the beginning of the 20th century, with traditional jazz and biguine from the French West Indies as his favorite field.

After numerous trips and musical tours around the globe, including two sailing across the Atlantic, Bardi now lives between France and Berlin, working full time as a musician in dance music orchestras of the 1920s and 1930s.

We can hear him playing the tenor banjo, the mandolin or even the tenor guitar with resonator, a strange metallic instrument with four strings.

He is part or has been part of groups such as "Frog and Henry", The Ragtime Nightmare "," The Jungle Jazz Band "or the famous Dutch show" Ashtonia ".

Un grand merci à nos partenaires : 

 

Soutien en coproduction/Accueil en résidence : L'Atelier Culturel  (Landerneau- - Le Théâtre des Abattoirs (Rioms) - Rions de Soleil (Embrun)

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Écriture et mise en scène : Lorraine Brochet - Barnabé Gautier - Anne Bouchard

Jeu : Lorraine Brochet - Barnabé Gautier

Musiciens originaux et compositeurices : Nesar Ouaryachi, Gaëlle Amour, Quentin bardinet

Musicien.nes remplaçant.es : Romain Brusini, Marie Gebhard, Jérôme Arlet

Regard extérieur : Anne Bouchard, Rémy Vachet

Régie son : Thibault Le Marec

Contact artistes : contact@bruital.com 

Production: Elise Wiart - production@bruital.com

 

Discipline théâtrale : musique live, mime, bruitage 

Style musical : old time blues, folk, bluegrass

Langues : disponible en version francophone et anglophone

Durée :  1h10

A partir de 10 ans.

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